Asheville Art Talk: Painter Jeremy Phillips plays with colors and shapes

THE UNTIED FRONT: This oil painting is among the featured works in Jeremy Phillip's latest collection, 'Impossible Interior Babel.' Painting by Jeremy Phillips

By day, Jeremy Phillips teaches humanities and religious studies at Haywood Community College and UNC Asheville. By night, the instructor plays with colors and shapes, creating worlds on canvasses, commercial fabrics and found objects.

In Phillips’ latest collection, Impossible Interior Babel, the artist combines a series of themes that seek to play with viewers’ perceptions, as well as call to mind ancient tales reminiscent of the modern day. The work will be on exhibit at Pink Dog Creative Gallery in the River Arts District, beginning Friday, Aug. 18.

A self-taught painter, Phillips got his start in 2008, while living in London. A lifelong admirer of the arts, he says his decision to pick up the paintbrush was because of financial constraints. “I wanted paintings that I couldn’t afford,” he says. “So I said, ‘I’m going to try and make them.’ And I have never stopped.”

It seems fitting that, in his latest works, Phillips found inspiration in religious tales. “The story of the Tower of Babel … seems very current right now,” he says.

TOWER OF BABEL: Phillips works on his Babel series.  Photo courtesy of Phillips
TOWER OF BABEL: Phillips works on his latest collection at his home studio. Photo courtesy of Phillips

In Genesis 11:1-9, the world’s inhabitants all share a common language. Together, they begin building a city on a plain in Shinar. During construction, they decide to create a tower that reaches the heavens. In response to these plans, God introduces new languages in order to confuse the people, preventing them from continuing with the project. Soon thereafter, the city’s inhabitants are scattered across the earth, divided by foreign tongues.

“I feel like we are living in a Babel moment,” says Phillips. “People don’t really understand each other. People are talking past each other. … We’re trying to build a world that we all can share, but … there seems to be a failure to communicate.”

The collection calls to mind this dysfunction, yet its presentation is playful and light. In one instance, Phillips offers a tower of stacked gift boxes; in another, a giant, pulled ribbon takes on a similar shape. The tower is emblematic of a failure to communicate, but within the individual works there is also a critique of modern consumption and the further distraction and division it creates.

What Phillips has dubbed as “impossible shapes,” are a separate series of paintings and sculptures featured in the collection. “You look at them and they shift in all types of ways,” he says. The shapes are created with bright oil paints. The gray backdrops create a sharp contrast to the unusual forms, generating a sort of optical illusion.

Other works within the exhibit combine the familiar and unknown. In a set of 12 abstract paintings, Phillips creates a series of works that, at first glance, appear like a collection of unmatched puzzle pieces have been forced together. Embedded within each disjointed piece is a fragmented image from inside a house. A green dining room is paired next to a red den. And yet, on some level, this mashup generates a cohesive — albeit unorthodox — representation of a home.

Phillips says one of his missions in creating Impossible Interior Babel is to challenge audience expectations. “There’s that place in our mind that’s always looking for resolution,” he says. “[We want] the music to conclude on the right note. … But when [art] promises resolution in a way, but doesn’t quite offer it, I think it plays with your mind. It keeps you interested.”

WHAT: Impossible Interior Babel
WHERE: Pink Dog Creative, 348 Depot St. jeremyphillipsart.com
WHEN: Opening reception Friday, Aug. 18, 6-9 p.m. The exhibit will remain on view through Sunday, Sept. 3o. Free

SHARE

Thanks for reading through to the end…

We share your inclination to get the whole story. For the past 25 years, Xpress has been committed to in-depth, balanced reporting about the greater Asheville area. We want everyone to have access to our stories. That’s a big part of why we've never charged for the paper or put up a paywall.

We’re pretty sure that you know journalism faces big challenges these days. Advertising no longer pays the whole cost. Media outlets around the country are asking their readers to chip in. Xpress needs help, too. We hope you’ll consider signing up to be a member of Xpress. For as little as $5 a month — the cost of a craft beer or kombucha — you can help keep local journalism strong. It only takes a moment.

About Thomas Calder
Thomas Calder received his MFA in Fiction from the University of Houston's Creative Writing Program. His writing has appeared in Gulf Coast, the Miracle Monocle, Juked and elsewhere. His debut novel, The Wind Under the Door, is now available.

Before you comment

The comments section is here to provide a platform for civil dialogue on the issues we face together as a local community. Xpress is committed to offering this platform for all voices, but when the tone of the discussion gets nasty or strays off topic, we believe many people choose not to participate. Xpress editors are determined to moderate comments to ensure a constructive interchange is maintained. All comments judged not to be in keeping with the spirit of civil discourse will be removed and repeat violators will be banned. See here for our terms of service. Thank you for being part of this effort to promote respectful discussion.

Leave a Reply

To leave a reply you may Login with your Mountain Xpress account, connect socially or enter your name and e-mail. Your e-mail address will not be published. All fields are required.