Cary Cooper debuts ‘Case of the Hopefuls’ at The Altamont Theatre

MAPQUEST: Although the music throughout Cary Cooper's new album clearly bears the fingerprints of her folk-pop background, several songs directly reference the inspiration she’s gained since moving from Texas. “I wouldn’t necessarily call it an Appalachian feel, but those songs were definitely influenced by being in this area,” Cooper says. Photo by Bill Pence

In the music room at the Franklin School of Innovation in Asheville, Cary Cooper pulls up her left sleeve to reveal a tattoo on her upturned forearm. The classroom is full of inspirational quotes from famous songwriters such as Taylor Swift and Jack White, but the circle of elongated black print on her skin spells out the most important advice she has to offer her students: “Sing the song that only you can sing.”

The folk-pop singer-songwriter has taken those words to heart since relocating to Asheville from Texas in 2014, trading in her touring schedule for the teaching gig at Franklin. “I felt like I needed to be quiet for a while, give my heart a chance to rest and see what it wanted to say,” explains Cooper. She shares the results of that rediscovery, Case of the Hopefuls, at an album release party and benefit for the school on Thursday, Nov. 30, at The Altamont Theatre.

The cover of the new album matches the décor of Cooper’s classroom: bright primary colors and upbeat design elements of birds and a fortune cookie. “Most people who know me think I err a little on the side of Pollyanna,” she says with a smile. “Even when facing some really difficult things in life, I tend to find the silver lining.”

As an example, Cooper points to the launch of her solo musical career. Before 2008, she had toured with her then-husband, Tom Prasada-Rao, in a duo called The Dreamsicles. Although Cooper was already a skilled singer at the time, she didn’t have Prasada-Rao’s instrumental chops, so she left him the accompaniment duties for their tight harmony vocals.

The onset of the economic recession made touring as a two-person act economically unsustainable. “I realized that if I was going to continue to have a music career, I was going to have to figure the whole instrument thing out,” says Cooper. Her subsequent hard work to pick up the guitar, ukulele and piano paid off with songwriting awards at competitions across the country and a role in the nationally syndicated 2011 TV documentary series “Troubadour, TX.”

Cooper employs all three of those instruments throughout Case of the Hopefuls, with further musical support by producer Michael Crittenden. Recorded over an intense three-week stretch this summer in Grand Rapids, Mich., to coincide with Cooper’s teaching duties at the Interlochen Center for the Arts, the arrangements are constructed lightly, giving plenty of room for her delicate melodies and overdubbed harmonies to shine through.

That stripped-down approach marks a big change from the production of Cooper’s 2013 album, Zuzu’s Petals. “That one took almost a year to make, and we were aiming for a superslick sound,” she says. “I just decided that this record felt really personal to me. I wanted the sparseness to bring an element of power that might get masked with a whole bunch of other parts.”

Although the music throughout the album clearly bears the fingerprints of Cooper’s folk-pop background, several songs directly reference the inspiration she’s gained since moving from Texas. “Swannanoa,” for example, employs Johnny Waken of Jonathan Byrd & The Pickup Cowboys on musical saw and Chris Rosser of Free Planet Radio on dotar, while “Blue as the Moon” puts the twang of a mandolin at the front of the mix. “I wouldn’t necessarily call it an Appalachian feel, but those songs were definitely influenced by being in this area,” says Cooper.

The band bringing Cooper’s album to life for The Altamont Theatre performance reflects the musical connections she’s made during her time in Asheville. Rosser is featured on dotar and keyboards, Michael Hines plays upright bass and fellow Franklin teacher Bryan Clendenin contributes mandolin. Two of her songwriting students, Rain Lupia and Nikki Forbes, provide backing vocals. Cooper also pays tribute to her Texas roots through her choice of drummer: Her 16-year-old nephew, Shep Cooper, is traveling to Asheville specifically for the performance.

Singer-songwriter Gary Jules of “Mad World” fame — whose son is one of Cooper’s students — joins the release concert as a special guest. “One of the first shows I saw in Asheville was Gary Jules doing a benefit for the school his son used to go to,” Cooper says. “Now it’s come full circle with this concert for Franklin.”

But Cooper is even more excited for the chance to showcase several of her current students at the concert, each of whom performs a song they’ve written since the start of the school year. The most rewarding moment in music, Cooper says, is when students find their song. “When they stumble upon the perfect way to say something and then get to play it in front of people — it’s the coolest thing to know that’s going to stick with them.”

WHAT: Cary Cooper’s album release party and benefit for Franklin School of Innovation with Gary Jules
WHERE: The Altamont Theatre, 18 Church St.,
WHEN: Thursday, Nov. 30, 7:30 p.m. $10 advance tickets/$15 day of show/$25 VIP.


Thanks for reading through to the end…

We share your inclination to get the whole story. For the past 25 years, Xpress has been committed to in-depth, balanced reporting about the greater Asheville area. We want everyone to have access to our stories. That’s a big part of why we've never charged for the paper or put up a paywall.

We’re pretty sure that you know journalism faces big challenges these days. Advertising no longer pays the whole cost. Media outlets around the country are asking their readers to chip in. Xpress needs help, too. We hope you’ll consider signing up to be a member of Xpress. For as little as $5 a month — the cost of a craft beer or kombucha — you can help keep local journalism strong. It only takes a moment.

About Daniel Walton
Daniel Walton is the former news editor of Mountain Xpress. His work has also appeared in Sierra, The Guardian, and Civil Eats, among other national and regional publications. Follow me @DanielWWalton

Before you comment

The comments section is here to provide a platform for civil dialogue on the issues we face together as a local community. Xpress is committed to offering this platform for all voices, but when the tone of the discussion gets nasty or strays off topic, we believe many people choose not to participate. Xpress editors are determined to moderate comments to ensure a constructive interchange is maintained. All comments judged not to be in keeping with the spirit of civil discourse will be removed and repeat violators will be banned. See here for our terms of service. Thank you for being part of this effort to promote respectful discussion.

Leave a Reply

To leave a reply you may Login with your Mountain Xpress account, connect socially or enter your name and e-mail. Your e-mail address will not be published. All fields are required.