The Center for Craft, Creativity & Design invites audience participation with experimental artist series

The Center for Craft, Creativity & Design is staging four events in the coming months featuring nationally known artists; each event asks attendees to join with the artist in exploring the creative process. The first event, “Hand in Hand,” takes place April 3-4 and features Tanya Aguiñiga.

Press release:

The Center for Craft, Creativity & Design Invites Audience Participation with New, Experimental Artist Series

The Center for Craft, Creativity & Design (CCCD) is pleased to announce Back to the Drawing Board, a new program series that provides six artists the opportunity to “take-over” CCCD’s Benchspace Gallery & Workshop for a 24-hour period. Collaborators invited and juried from across the United States will produce installations, performances, and other experimental activities that invite the audience to participate in the creation of a final work of art.

Back to the Drawing Board seeks to make the invisible creative process visible by providing a venue for experimentation, collaboration, failure, and innovation. “Craft extends beyond what may be placed on a pedestal,” program curator and CCCD Assistant Director Marilyn Zapf states, “Back to the Drawing Board is designed to allow the viewer access to the often tumultuous creative process.”

Using media such as ceramics, glass, textiles, and book arts, the selected artists push the boundaries of what is or is not considered craft. The focus of these six projects ranges from environmental change and immigration to community empowerment and questioning domestic etiquette.

The first project will be led by Los Angeles based designer and artist Tanya Aguiñiga. Performance Crafting: Hand in Hand will be the fourth craft based performance in an ongoing series where Aguiñiga deconstructs her own making process and ideas and applies them to public based explorations. During Hand in Hand, visitors will learn the wet felting techniques best known in Aguiñiga’s furniture and product design, and apply it directly to bodies, experiencing the materiality of wool and creating a communal experience of making. Visitors will be invited to felt one another’s arms by lightly massaging wool continuously around the hand and forearm area in order to build up a thick layer of wool. Once removed from the body, these hollow forms will be displayed in the gallery, marking the collective action of making through care for one another.

The project aims to connect community members, teach new skills, engage visitors in the making of exhibited art, satisfy the need for human contact, while exposing individuals to contemporary craft.

EVENT DETAILS

Back to the Drawing Board will consist of a series of four events beginning in April and culminating in August with a special event, featuring three artists simultaneously working in the gallery. Each project will begin with a public reception from 6 – 9 pm Friday evening and continue from 10 am – 6 pm Saturday.

  • April 3-4, Hand in Hand, Tanya Aguiñiga (Los Angeles, CA)
  • May 1-2, In Song Sing On: The Songbook Project, David Wilson (Oakland, CA)
  • May 29-30, Blue Mountain, Mark Reigelman (Brooklyn, New York)
  • August 28-29,            Material Iterations, Jennifer Bueno (Penland, North Carolina)Immigrant Citizenship Takeover, Aram Han (Chicago, IL)Domensterventions: Inventions for Domestic Interventions, Cheyenne Rudolph (Gainesville, FL)

All events will be held at CCCD’s Benchspace Gallery & Workshop, 67 Broadway Street, Asheville, NC and are free and open to the public. For more information, call 828-785-1357 or visit www.craftcreativitydesign.org. This program was made possible by the John & Robyn Horn Foundation and receives media sponsorship from Industrious Productions.ABOUT THE CENTER FOR CRAFT, CREATIVITY & DESIGN (CCCD)

Established in 1996, The Center for Craft, Creativity & Design (CCCD) is a national nonprofit organization that advances the understanding of craft by encouraging and supporting research, critical dialogue, and professional development in the United States. CCCD raises funds for programs and outreach to international, national, and regional artists, craft organizations, universities/colleges, and the community. Each year, CCCD administers over a quarter million dollars in grants to those working in the craft field.

At the end of January 2014, CCCD relocated to Asheville, NC, and openedBenchspace, a public gallery and workshop for investigating contemporary practices of making in the shifting creative landscape of the 21st century.

ABOUT TANYA AGUIÑIGA

Tanya Aguiñiga (b. 1978) is a Los Angeles based designer and artist who was raised in Tijuana, Mexico. She holds an MFA in furniture design from Rhode Island School of Design. She created various collaborative installations with the Border Art Workshop, an artists’ group that engages the languages of activism and community-based public art. She founded the group, Artists Helping Artisans, through which she helps spread knowledge of craft by collaborating with traditional artisans. Her work has been exhibited from Mexico City to Milan. She is a United States Artists Target Fellow in the field of Crafts and Traditional Arts, a GOOD 100 2013 Recipient and has been the subject of a cover article for American Craft Magazine and included in PBS’s Craft in America Series.###

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About Jeff Fobes
As a long-time proponent of media for social change, my early activities included coordinating the creation of a small community FM radio station to serve a poor section of St. Louis, Mo. In the 1980s I served as the editor of the "futurist" newsletter of the U.S. Association for the Club of Rome, a professional/academic group with a global focus and a mandate to act locally. During that time, I was impressed by a journalism experiment in Mississippi, in which a newspaper reporter spent a year in a small town covering how global activities impacted local events (e.g., literacy programs in Asia drove up the price of pulpwood; soybean demand in China impacted local soybean prices). Taking a cue from the Mississippi journalism experiment, I offered to help the local Green Party in western North Carolina start its own newspaper, which published under the name Green Line. Eventually the local party turned Green Line over to me, giving Asheville-area readers an independent, locally focused news source that was driven by global concerns. Over the years the monthly grew, until it morphed into the weekly Mountain Xpress in 1994. I've been its publisher since the beginning. Mountain Xpress' mission is to promote grassroots democracy (of any political persuasion) by serving the area's most active, thoughtful readers. Consider Xpress as an experiment to see if such a media operation can promote a healthy, democratic and wise community. In addition to print, today's rapidly evolving Web technosphere offers a grand opportunity to see how an interactive global information network impacts a local community when the network includes a locally focused media outlet whose aim is promote thoughtful citizen activism. Follow me @fobes

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