Movie Reviews

The Story: A couple whose marriage is disintegrating is sent on a weekend getaway that has unexpected results. The Lowdown: When it works, this high-concept look at the nature of relationships works beautifully. But it doesn't always work. Even then, it remains interesting, but delivers less than it promises.

The Story: The fanciful — and doomed — romance of a wealthy young man and the girl he falls for.  The Lowdown: There is more pure invention in the first five minutes of Mood Indigo than in just about all the other films this year put together. That's both its magical greatness and why some…

The Story:  Two aging ex-brothers-in-law go on a road trip in Iceland. The Lowdown: A somewhat meandering, not terrifically adventurous but thoroughly likable little character study that benefits from sharp performances and Icelandic scenery.

In Brief: Yasujirô Ozu's Good Morning (1959) is typical of the filmmaker's work in that it looks, rather disapprovingly, at the growing westernization of post-war Japan. But Good Morning — with its story of two boys refusing to speak until their father buys a TV set — is slighter, warmer and more accepting than most of Ozu's films. It…

The Story: A high school football coach — burdened with an over-decade-long winning streak — must learn how to motivate his players and bond with his family. The Lowdown: A dull, preachy, troublesome film that’s dramatically inert and purely predictable from a storytelling standpoint.

In Brief: It's directed by someone you've never heard of. It stars people you've never heard of. It was promoted with "Alive ... without a body ... fed by an unspeakable horror from hell!" And it's absolutely indefensible as anything other than no-budget cheese that is wildly entertaining for all the wrong reasons. This, after…

In Brief: While Ingmar Bergman's Shame (1968) is an undeniably powerful work, it's also one of the director's most unrelentingly grim works — and with Bergman, that's saying a lot. In other words, approach with a bit of caution, and don't expect a lot of laughs. It's also not a wholly accessible work. Much that…

The Story: A teenage girl with a promising future is in a car wreck with her family, and her out-of-body self has to decide whether to live or not. The Lowdown: Shamelessly manipulative assault on the tear ducts that will work for the excessively sentimental and, possibly, fans of the YA novel from which it's…

In Brief: Festooned with Oscars (including Best Picture), phenomenally popular 26 years ago and undeniably well-made, Barry Levinson's Rain Man (1988) is nonetheless a shamelessly manipulative work, and not one I'd want to visit too often. The story is basically an odd couple buddy road trip — except the buddies (Dustin Hoffman and Tom Cruise)…

In Brief: In one of his finest performances, John Barrymore is cast against type as a Jewish lawyer who has risen from poverty to the top of the legal profession in William Wyler's film of the popular Elmer Rice play, Counsellor at Law (1933). (It was the first film of which Wyler was proud.) The…

The Story: Both a sequel and a prequel to the 2005 cult hit. The Lowdown: Not as fresh as the first film, but it's still good unwholesome fun (not for the easily offended) — and it's one terrific-looking movie in the bargain.

In Brief: Nominated for six Oscars (winning three), Roman Polanski's Tess (1979) just might be the director's best film — certainly, it's his most beautiful and lyrical. Dedicated to his late wife, Sharon Tate, the film is also possibly his most deeply personal work. Adapted — pretty faithfully — from Thomas Hardy's 1891 novel Tess…

The Story: The Expendables go after one of their own, a nefarious villain long thought dead. The Lowdown: A superbly uneven and overtly uninteresting journey into machismo and stuff blowing up.

In Brief: The next-to-last film in François Truffaut's Antoine Doinel (Jean-Pierre Léaud) series is also probably the least successful of the lot. It is certainly the slightest and most prone to rambling. The freshness of the "New Wave" was long gone by 1970 when Truffaut made Bed & Board, and the attempt to make this…

In Brief: The most famous of all Sherlock Holmes stories gets the Hammer horror treatment — not inappropriate for a tale about a hound from hell — and the results are very good indeed. In fact, this 1959 film may well be the best version of The Hound of the Baskervilles. It is certainly the…

The Story: A young man in a supposedly utopian society is chosen to receive the forbidden real history of the world. The Lowdown: Imperfect, but largely well-done and much more provocative — even disturbing — than the usual YA dysfunctional society sci-fi.

The Story: An Irish priest is informed (in the confessional) by a parishioner — a victim of sexual abuse by a long dead priest — that he intends to kill the priest to make a statement about the Church. The Lowdown: Part mystery, part black comedy, part tragedy on the nature of faith and redemption,…

In Brief: If you could uncork a magnum of Mumm Cordon Rouge champagne and turn it into a movie, what you'd get would be a lot like Ernst Lubitsch's Trouble in Paradise (1932). It is the sparkling quintessence of sophisticated comedy and stylish filmmaking. It's a cheekily and cheerfully amoral tale of archthief Gaston Monescu…

In Brief: Yes, it has its problems — an uninspired director, the look of a typically static Hollywood silent, a botched big scene, a bewildering array of different versions — but The Phantom of the Opera (1925) is still the first large-scale American horror film and retains the power to fascinate. Much of this is…

The Story: Two bored pals take up pretending to be cops and become entangled in taking down a crew of mobsters. The Lowdown: Meandering, joyless tedium in the form of a buddy cop comedy.

In Brief: Though shorn of what preview audiences said was its best sequence (Universal clumsily expanded it to a separate feature called Destiny), Julien Duvivier's Flesh and Fantasy (1943) — a follow-up to his 1942 portmanteau film, Tales of Manhattan — still has much to recommend it. The fact that this was made at Universal…