“All of us who depended on the music for expanding waves of harmony and well-being to soothe ears already inflamed by too much news are plumb out of luck.”

“All of us who depended on the music for expanding waves of harmony and well-being to soothe ears already inflamed by too much news are plumb out of luck.”
“I wanted to somehow capture both the ’20s, with its jazz influence, while at the same time explore the decade’s demise — that pivotal point when things start to go south,” says author Terry Roberts, in discussing his latest novel.
Even though the group’s debut record, ‘Turning Point,’ has only been out a week, The Core has already established itself as one of the area’s premiere jazz bands.
Andrew LaPrise Trio plays on Friday, July 21, and Rick Simerly Trio on Saturday, July 22, both at 10:30 p.m.
Pianist, arranger and jazz musician Tom Coppola was a staple of the Asheville music scene in the 1990s and early 2000s, primarily with the duo Evans and Coppola, with vocalist Lucian Evans.
While the conversations between the instruments are active and cerebral, moods wash through the music so that it’s felt emotionally as well as intellectually.
Nashville-based Annie and the Hot Club brings a distinct style of Gypsy-swing to Isis Restaurant & Music Hall. The veteran group is composed of award-winning musicians including singer Annie Sellick, voted best jazz artist five years running by Nasheville Scene, and fingerstyle guitarist Richard Smith, a 2009 Thumbpickers Hall of Fame inductee.
The modern jazz trio plays Isis Restaurant & Music Hall’s upstairs lounge on Sunday, Feb. 28.
Asheville’s Godfather of jazz, Russ Wilson, is mounting a concert series that he calls Russ Wilson’s History of Jazz. The year-long Sunday evening series at Isis Restaurant & Music Hall kicked off with a Sunday, Jan. 3 set, and the next installment, “The Roots of Jazz,” takes place Sunday, Jan. 24.
Following a home fire that immobilized two of his fingers, Django Reinhardt invented his own method of navigating the guitar’s fret board. Multiple artists celebrate his life and music at the Grey Eagle Saturday, Jan. 23, at 6:30 p.m.
“The idea that black people and white people have distinct music and culture has its roots in racist thinking.”,” says author David Gilbert. It’s a concept he delves into in The Product of Our Souls: Ragtime, Race, and the Birth of the Manhattan Musical Marketplace. Gilbert holds a book launch and discussion at Malaprop’s Saturday, Nov. 14.
Local jazz-swing-folk-old-time outfit The Resonant Rogues have two shows in the works for Saturday at LEAF. They’ll perform in The Barn and on the Roots Family Stage.
Woody Pines, who returns to Asheville on Friday, May 29, for a show at Jack of the Wood, honed his craft on the streets of New Orleans. His new, self-titled album, released by Muddy Roots Music in June, delves even more deeply into the swing, ragtime, folk and jazz lexicons of the American songbook that gave defined his sound.
In a city as musically diverse as Asheville, it’s easy to be picky about what bands and musical genres you pay to see. Seldom does a concertgoer find a crowd as diverse as the one that came out to The Orange Peel for Youtube-sensation-turned-touring act Scott Bradlee and Post-Modern Jukebox.
You don’t have to be a fan of throwbacks to like this New York City-based collective. The group, created by pianist/composer/arranger Scott Bradlee, takes pop tracks and reworks them as vintage jazz, swing and ragtime songs.
Theatrical facial expressions and expressive gesticulations take jazz vocalist Annie Sellick’s onstage storytelling abilities over the top, transforming each song into a personal conversation with the crowd.
There’s something inexplicably cheery — and not ironically so, despite the prevalence of seasonal sweaters — about the Christmas specials of Bing Crosby and Lawrence Welk. These shows of decades past delivered holiday medleys and warm sentiments that spanned giddy good times to reflective moments. They conjured seasonal memories with traditional carols and festive standards. […]
Jazz legend John Coltrane once said, “To be a musician is really something. It goes very, very deep. My music is the spiritual expression of what I am — my faith, my knowledge, my being. … When you begin to see the possibilities of music, you desire to do something really good for people, to […]
Each week in July, different jazz artists and poems will be discussed at pack Memorial Library as part of a month-long series.
Jazz-exotica group Hank West & The Smokin’ Hots releases a new album with two shows: Friday, June 28 at The Altamont Brewing Company and Saturday, June 29 at 5 Walnut. Album art by Grandpappy.
The show, at the Lab, starts at 9 p.m. It will be filmed for a live music video. So, we’re not saying this is your big chance for your 15-seconds of fame. But we’re not saying it isn’t, either.