Press release from Working Films:
Working Films has joined with leading abolitionist organizations across the United States to fund the completion of five short documentaries that uncover the history of the prison industrial complex and shed light on the movement to abolish it.
In a statement announcing the grants, the Center for Political Education, Critical Resistance, MPD150, Survived & Punished, and Working Films said, “The history of the prison industrial complex is rooted in slavery and colonization, with an inherent purpose of reinforcing oppressive social and economic injustices. It’s driven by market forces that use surveillance, policing, violence and imprisonment as solutions to economic, social, and political problems. It is exacted by police officers, guards, ICE officers, and others that enforce state violence. Brutality and racism has always been the norm. The system is working how it was designed, and reform measures will always fall short,” The statement goes on to say, “To illuminate these realities, and get to a world free of police and prisons – we need stories. Stories that share the history and harm of these institutions, stories that show people pushing back and taking action, and stories that bring forth irresistible visions of a future with humane and just alternatives to policing and incarceration. This 2020 Docs in Action request for proposals sought nonfiction films that can help define and amplify what prison industrial complex abolition means, and that inspire people to imagine and take action toward a world without police and prisons.”
$125,000 has been awarded to five filmmakers to complete short documentary films. They include: Adamu Chan for What These Walls Won’t Hold, Erika Cohn for Belly of the Beast (short version), Walidah Imarisha for Space to Breathe, Sylvia Ryerson for Restorative Radio, and Khary Septh for Pen Pals.
“Abolition contains multitudes,” Red Schulte, an organizer with Survived & Punished New York, reflects, “A central aspect to me, an aspect that keeps me recommitted to these politics and relationship experiments, is the creativity and imagination that abolition demands. Making visual narratives, like films, making our own media is so crucial to shifting social and cultural norms, beliefs and commitments. Resourcing people to make their art, to document our movements, to imagine different worlds — that has to be part of our political agenda.”
Working Films launched the Docs In Action Film Fund with support from the John D. and Catherine T. MacArthur Foundation in 2018 to support the production of short documentaries that address critical issues of social and environmental justice. This year, the fund evolved it’s decision making process by ceding the selection choices to the partner organizations who are directly impacted and working on the issues. “Because we believe that grassroots leaders and directly impacted people should hold the power to determine what stories are told and what films are funded to serve their movements, we ceded our role on the grant panel to center our abolitionist partners. ” said Gerry Leonard, who has facilitated the grantmaking process with Andy Myers of Working Films.
This intentionality to build power from the ground up is echoed in the words of Aminah Elster, Campaign & Policy Coordinator with the California Coalition for Women Prisoners and organizer with Survived & Punished California, “The overall process of the DIA panel allowed for proximate leaders working towards abolition at various intersections, to truly have a hand in selecting the narratives that most accurately reflect and amplify what our communities have long been experiencing.”
The short films receiving funding include:
What These Walls Won’t Hold The COVID-19 crisis inside California prisons has claimed the lives of over 200 incarcerated people and infected tens of thousands more. This film tracks the origins of COVID-19 inside the California state prison system and a newly formed coalition, led by currently and formerly incarcerated people, that brought forward an abolitionist framework to a life or death situation. What These Walls Won’t Hold explores how relationships, built on trust, shared liberatory struggle, and connections across broader abolitionist organizing work, can unfold into sites of resistance and radical change. What These Walls Won’t Hold is directed by Adamu Chan and produced by Christian Collins and Adamu Chan.
Space to Breathe Space to Breathe is an Afrofuturist science fiction hybrid documentary set in a future where there are no prisons or police, looking back at how today’s movements built that future. Space To Breath is directed by Walidah Imarisha, Jordan Flaherty, and Kate Trumbull-LaValle, in collaboration with adviser Calvin Williams of Wakanda Dream Lab.
Restorative Radio Every Monday night, Michelle Griffin dials into WMMT-FM community radio’s Calls from Home, to send a message over the airwaves to her husband, imprisoned 400 miles away. For thousands incarcerated in Central Appalachia, the show provides a lifeline to the world outside. Restorative Radio tells the stories of family and friends who call in, and those who listen in from prison. Directed by a former DJ of the show, the film portrays the many forms of distance that rural prison building creates — and the ceaseless search to overcome this regime of family separation and racial apartheid. Restorative Radio is directed and produced by Sylvia Ryerson and produced by Reginald Dwayne Betts, Mimi Pickering, and Reuben Atlas. Cinematography by Randall Taylor Jr. and Ayesha Gilani Taylor, and Impact production by Michelle Griffin.
Pen Pals Pen Pals shares the stories of the Black LGBTQ+ community caught in the web of America’s prison industrial complex. Exploring the story of Dominique Morgan who was formerly incarcerated and now is the Executive Director of Black and Pink where she works tirelessly to advance prison abolition and supports LGBTQ+ people and people living with HIV/AIDS who are affected by that system, we gain not only an analysis of the structural role of the PIC in maintaining white supremacy and capitalism, but also, a call-to-action for our community to engage in cooperative activities to end it. Dominique’s story as a Black transgender woman also adds the complexity of gender identity to the story, and how it relates to the extreme suffering of trans people trapped in the PIC, and also in society beyond the walls. Stories soften the heart so that the mind may rationally consider things like our moral obligation to support our incarcerated population, or the safety of trans identities in the prison industrial complex, and ultimately, our duty to topple the prison industrial complex. Pen Pals is a collection of these stories, all shared in service of ending the suffering of our people. Pen Pals is directed by Khary Septh and produced by James Powell and Andre Jones. Cinematography by Drew McCrary.
Belly of the Beast (short version) When an unlikely duo discovers a pattern of illegal sterilizations in women’s prisons, they wage a near impossible battle against the Department of Corrections. Filmed over seven years with extraordinary access and intimate accounts from currently and formerly incarcerated people, Belly of the Beast exposes modern-day eugenics and reproductive injustice in California prisons. Belly of the Beast is directed by Erika Cohn and produced by Angela Tucker, Christen Marquez, and Nicole Docta.
Docs In Action is a program of Working Films, a national nonprofit organization based in Wilmington, NC. Recognizing the power of stories to inform and inspire, Working Films builds partnerships between nonfiction media-makers, nonprofit organizations, educators and advocates to advance social justice and environmental protection, and support community-based change.