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Cranky Hanke’s Weekly Reeler April 16-22: Le Lunchbox Under Heaven’s Transcendence

This is a really strong week — a remarkably strong week. But the odd thing about that is that its strengths all lie in the art titles. Two of those are among the best things I’ve seen this year — the sort of films that will probably be on my Ten Best list come December (hey, we’re to three now!). The mainstream titles are more problematic to say the least. I have, in fact, been told by one who has seen them that one is not very good, one is just plain not good and one is downright awful.

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Cranky Hanke’s Weekly Reeler April 2-8: Captain America with Large Supporting Cast

Captain America: The Winter Soldier crashes, bursts and bludgeons his way into theaters this Friday (or Thursday night for the Truly Dedicated) and no mere mortal mainstream movies dare to challenge his might. Locally, however, no less than four art titles willing to stand up to the onslaught. They won’t defeat him, of course, but they’re willing to give his tights a tug.

Cranky Hanke’s Weekly Reeler March 26-April 1: Bad Noah Enemy Sabotage

Frankly, any week coming after The Grand Budapest Hotel is apt to taste like wax fruit, but we do have four movies opening this week — two mainstream, two art titles (sort of). At least one of the art titles I know to be good, even if it’s the kind of film for which the phrase “not for everyone” was coined. And how.

Cranky Hanke’s Weekly Reeler March 19-25: The Grand Budapest Hotel Is Open for Business

Like a harbinger of the end of a winter that seemed utterly disinclined to go away — and the typical dead-of-winter parade of dreary movies (at least the ones actually released this year) — Wes Anderson’s The Grand Budapest Hotel comes to town this week. It’s a joy. It’s a wonderment. It’s a delight. It’s a must-see. It’s a film I didn’t mind in the least getting up early Saturday morning to be at a 9 a.m. press screening at The Carolina to see. Oh, yeah, there’s some other stuff opening, too. I’ll get to those eventually.